For quite some time now, the
Nottingham Victoria Centre branch of HMV Records (as I believe it is still
called despite leaning more towards DVDs, games and headphones from what I can
make out) have been staging an hour long gig on a Thursday afternoon featuring
local musicians, with the sound engineering done by ROFL Audio. Mainly due to
the strange time slot I haven’t been able to make it along, so I made the
effort this afternoon for DH Lawrence & the Vaudeville Skiffle Show, a band
that I’ve been a fan of for a while now, and who played a NottinghamLIVE
session for us last August.
Walking through the doors of
Victoria Centre, I noticed how few people were wandering about, I can’t remember
ever seeing it this quiet but I try to avoid the place as much as possible
since they started attempting to simultaneously do it up and bring it down to
the level of Broadmarsh Shopping Centre. Both centres are now owned by a
company called intu, who should concentrate on raising standards at Broadmarsh
rather than the opposite. Owning both centres is like the Queen owning
Buckingham Palace and a static caravan in Chapel St Leonards.
HMV was virtually empty when I
arrived just after five which threw me a little as in my head I was expecting
to find hoards of music lovers jostling for a good position near the makeshift
stage, with the great and the good of Nottingham’s music scene in attendance to
catch an afternoon performance. The band played a quality set as always so none
of this is their fault, but it was a little bit strange to see customers
wandering around going about their shopping while a band played. I’m not sure
if this is beneficial to the band or the shop to be honest. In store gigs are a
great idea in theory, a chance to get up close to a band and for the band to
introduce themselves to a potential new set of fans, (and sell some CDs
hopefully). My enjoyment of the band was distracted somewhat by trying to work
out why this didn’t work.
My conclusion was all down to
timing, but in my opinion it had more to do with the day. Five o’clock until
six o’clock on a Thursday afternoon when people have knocked off and are
battling an inefficient public transport system to get home isn’t the best time
to stage a gig. This kind of promotion might work better in terms of audience
numbers on a Friday when people are not only in a better mood because they have
finished work for the weekend, but also because they get to finish that little
bit earlier.
At the end of the day it’s the
band I felt a bit sorry for as they performed as if they were playing to a
packed out Jam CafĂ©, which makes it a shame that more people weren’t there to
see it.
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