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Thursday, 24 October 2013

Thursday 24th October

I wasn’t planning to do another edition of Moonage Daydream this year due to lack of time, but had intended to make it a more regular thing in the New Year. They take quite a while to write and record which is why the series is as occasional as it is, the pressure to do this weekly or even monthly would be enough to drive me insane. The podcasts I have done have done reasonably well; Mixcloud doesn’t get a great deal of listeners compared to the Internet Archive but Mixcloud is an easier thing to keep everything together in one place. Thanks to my Twitter onslaughts I can generate quite a bit of interest by advertising it to all of the Bowie fan pages I follow, along with celebrities with either a connection to the great man or those who are well known fans. The last edition was retweeted by the likes of Gary Kemp, Bob Harris, Boy George, Simon Goddard, and Louder Than War.

After the last proper edition, I put out a filler called All Covered in Bowie and had intended to put fillers out to buy the time to create the next series in the continuity. Even this didn’t amount to anything due to timing, although I have had the idea to put live concert audio out that relates to the era that the series is in. At the moment we are just after the Ziggy Stardust retirement and coming up to the album Pin Ups, so would need audio from then. I have quite a large bank of concert footage audio so should probably put one out from that time.

As I said though, Moonage Daydream service will resume in 2014.

This morning I was listening to BBC 6Music, (I don’t hold a grudge against them for their shortsightedness in not commissioning The Sunday Alternative despite it being a 6Music show in all aspects apart from the station it broadcasts from), and found out about the discovery of a tape that David Bowie made. He did a mock radio show to promote Pin Ups in which he played the original versions of some of the tracks he performed on the album, (for those who don’t know, Pin Ups was a covers album of 1960s tunes that shaped Bowie’s influences), and talked about London in the sixties. Very little has been written about why he did this, and it only made one newspaper as far as I can tell. It’s likely that this short address was to be sent out to radio stations to play instead of having to traipse around on the promotional circuit, or perhaps it was for a radio station to test his ability for doing a longer show. Capital Radio (by which I mean the proper Capital Radio in London and not that shitty ‘same six songs, all day long’ station that plays around the whole country) used to be very experimental in its show output, so the idea of David Bowie guest-hosting a show wouldn’t be that out of the ordinary.

However, nobody ever heard this tape and it languished in an archive until a couple of years ago when it was found by one of Bowie’s collectors. This raises the question of how was this missed until recently when we all know by now what a hoarder David is, surely he would have taken it or a copy of it home for his vast collection? I’m surprised it wasn’t considered for the V&A this year, as it could have formed part of the audio experience as you walked around the exhibition.

It got me thinking about how I used to make radio tapes when I was a child, (most kids want to be on television or be pop stars, I wanted to sit in a hot soundproofed room and talk in between records), and how I don’t have any of those tapes now. I only have myself to blame as I recorded over them to make room for other things, and at the age of eight or nine a blank cassette made quite a hole in your pocket money if you only wanted one use of it. In fact, I recorded over my homemade radio shows with other homemade radio shows a lot of the time. Maybe the BBC felt the same which is why they have so many Doctor Who, Dad’s Army, Hancock’s Half Hour, Top Of The Pops and Not Only But Also sized gaps in their archive; because someone only got enough pocket money to occasionally buy new tapes.

David Bowie’s self-made show is an amazing find, and having heard it for myself I can only think it a shame that he didn’t do more. In fact it’s fitting that BBC 6Music played it today, as there is a station ideally suited to allowing him to do his own series.

The timing was also perfect with regards the continuity of Moonage Daydream as it falls at just the right time in the David Bowie story. With this in mind I recorded a brand new edition today and uploaded it straight away. It normally takes ages to write but this didn’t really require too much from me besides an introduction.

When you get a 6Music gig David, remember who suggested it first!

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