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Wednesday, 16 April 2014


If you receive parcels (or any item of mail too big for your letterbox) while you aren’t at home then you will be familiar with the red and white card (known as a P739 to postal workers, or a ‘slip left’, and known to the public as a pain in the arse) that the postman, (or woman) puts through the door. When I was a postman I discovered that the system was fairly basic; you have a bundle of letters in your hand with the addresses all facing up, and when you come to a letter facing the opposite way it tells you there’s a packet in your bag for that address. If there was no reply at the door, you filled in and posted the card telling the householder to either come and collect the packet, or arrange for it to be redelivered. These days the postman (or woman) doesn’t even bother taking the packet out of the office, preferring instead to just post the card to save a lot of time, or so it seems.

Today I had such a card summoning me to my local Royal Mail sorting office to collect what turned out to be two parcels. Luckily I don’t live too far away so took Jack for a walk at the same time to enjoy the afternoon sunshine. When I got home I opened them to find two lots of competition prizes for The Sunday Alternative when it returns as a podcast. I have five DVDs of the new film Svengali to give away on the first show which is pretty cool. The film stars Vicky McClure, an actress who was born in Nottingham and is now enjoyed all over the world, just like The Sunday Alternative. One of the DVDs will have the cellophane removed because I want to watch the film, which has been made from an original series on YouTube. There’s hope for us all who use the Internet as a broadcast medium.

The other package contained a new hardback book, the biography of Jake Bugg. I was contacted by the author David Nolan to see if I would be interested in interviewing him when he comes to Nottingham on his promotional junket. He’s booked to talk to BBC Nottingham and The Nottingham Evening Post (as I still call it) and a few others, and I’ll be taking my turn in the evening. I assume he knows that I’m not the world’s biggest fan of the boy Bugg, but as one of the Nottingham music scene’s media flag wavers it makes sense that I was approached. I’ve only just started to read my preview copy to prepare for the interview, and although the subject matter isn’t my cup of tea, the book is well written by a music biographer with an impressive pedigree, here’s a list of books and television credits. The interview from my point of view will focus on the city as a whole with mention of Bugg and the part he has played putting Nottingham on the map. I’m flattered to be asked, as I am still sometimes ignored when it comes to this sort of thing, (I’m still pissed off about not being invited to the premiere of The Dark Knight Rises in Nottingham despite my connection to it). The weird thing is that here is a book about a Nottingham musician that doesn’t mention me at all, which I suppose is fair enough given my comments when his first album came out. If a book is ever written about another Nottingham musician or band then the chances are that I’ll get some recognition in the thank-you list. That of course depends on the artist, because there are some pricks about. Perhaps I should start knocking out books about the bands and musicians that I like so that I’m in on the ground floor?

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